rowid,title,contents,year,author,author_slug,published,url,topic 124,Writing Responsible JavaScript,"Without a doubt, JavaScript has been making something of a comeback in the last year. If you’re involved in client-side development in any way at all, chances are that you’re finding yourself writing more JavaScript now than you have in a long time. If you learned most of your JavaScript back when DHTML was all the rage and before DOM Scripting was in vogue, there have been some big shifts in the way scripts are written. Most of these are in the way event handlers are assigned and functions declared. Both of these changes are driven by the desire to write scripts that are responsible page citizens, both in not tying behaviour to content and in taking care not to conflict with other scripts. I thought it may be useful to look at some of these more responsible approaches to learn how to best write scripts that are independent of the page content and are safely portable between different applications. Event Handling Back in the heady days of Web 1.0, if you wanted to have an object on the page react to something like a click, you would simply go ahead and attach an onclick attribute. This was easy and understandable, but much like the font tag or the style attribute, it has the downside of mixing behaviour or presentation in with our content. As we’re learned with CSS, there are big benefits in keeping those layers separate. Hey, if it works for CSS, it should work for JavaScript too. Just like with CSS, instead of adding an attribute to our element within the document, the more responsible way to do that is to look for the item from your script (like CSS does with a selector) and then assign the behaviour to it. To give an example, take this oldskool onclick use case: Play the animation This could be rewritten by removing the onclick attribute, and instead doing the following from within your JavaScript. document.getElementById('anim-link').onclick = playAnimation; It’s all in the timing Of course, it’s never quite that easy. To be able to attach that onclick, the element you’re targeting has to exist in the page, and the page has to have finished loading for the DOM to be available. This is where the onload event is handy, as it fires once everything has finished loading. Common practise is to have a function called something like init() (short for initialise) that sets up all these event handlers as soon as the page is ready. Back in the day we would have used the onload attibute on the element to do this, but of course what we really want is: window.onload = init; As an interesting side note, we’re using init here rather than init() so that the function is assigned to the event. If we used the parentheses, the init function would have been run at that moment, and the result of running the function (rather than the function itself) would be assigned to the event. Subtle, but important. As is becoming apparent, nothing is ever simple, and we can’t just go around assigning our initialisation function to window.onload. What if we’re using other scripts in the page that might also want to listen out for that event? Whichever script got there last would overwrite everything that came before it. To manage this, we need a script that checks for any existing event handlers, and adds the new handler to it. Most of the JavaScript libraries have their own systems for doing this. If you’re not using a library, Simon Willison has a good stand-alone example function addLoadEvent(func) { var oldonload = window.onload; if (typeof window.onload != 'function') { window.onload = func; } else { window.onload = function() { if (oldonload) { oldonload(); } func(); } } } Obviously this is just a toe in the events model’s complex waters. Some good further reading is PPK’s Introduction to Events. Carving out your own space Another problem that rears its ugly head when combining multiple scripts on a single page is that of making sure that the scripts don’t conflict. One big part of that is ensuring that no two scripts are trying to create functions or variables with the same names. Reusing a name in JavaScript just over-writes whatever was there before it. When you create a function in JavaScript, you’ll be familiar with doing something like this. function foo() { ... goodness ... } This is actually just creating a variable called foo and assigning a function to it. It’s essentially the same as the following. var foo = function() { ... goodness ... } This name foo is by default created in what’s known as the ‘global namespace’ – the general pool of variables within the page. You can quickly see that if two scripts use foo as a name, they will conflict because they’re both creating those variables in the global namespace. A good solution to this problem is to add just one name into the global namespace, make that one item either a function or an object, and then add everything else you need inside that. This takes advantage of JavaScript’s variable scoping to contain you mess and stop it interfering with anyone else. Creating An Object Say I was wanting to write a bunch of functions specifically for using on a site called ‘Foo Online’. I’d want to create my own object with a name I think is likely to be unique to me. var FOOONLINE = {}; We can then start assigning functions are variables to it like so: FOOONLINE.message = 'Merry Christmas!'; FOOONLINE.showMessage = function() { alert(this.message); }; Calling FOOONLINE.showMessage() in this example would alert out our seasonal greeting. The exact same thing could also be expressed in the following way, using the object literal syntax. var FOOONLINE = { message: 'Merry Christmas!', showMessage: function() { alert(this.message); } }; Creating A Function to Create An Object We can extend this idea bit further by using a function that we run in place to return an object. The end result is the same, but this time we can use closures to give us something like private methods and properties of our object. var FOOONLINE = function(){ var message = 'Merry Christmas!'; return { showMessage: function(){ alert(message); } } }(); There are two important things to note here. The first is the parentheses at the end of line 10. Just as we saw earlier, this runs the function in place and causes its result to be assigned. In this case the result of our function is the object that is returned at line 4. The second important thing to note is the use of the var keyword on line 2. This ensures that the message variable is created inside the scope of the function and not in the global namespace. Because of the way closure works (which if you’re not familiar with, just suspend your disbelief for a moment) that message variable is visible to everything inside the function but not outside. Trying to read FOOONLINE.message from the page would return undefined. This is useful for simulating the concept of private class methods and properties that exist in other programming languages. I like to take the approach of making everything private unless I know it’s going to be needed from outside, as it makes the interface into your code a lot clearer for someone else to read. All Change, Please So that was just a whistle-stop tour of a couple of the bigger changes that can help to make your scripts better page citizens. I hope it makes useful Sunday reading, but obviously this is only the tip of the iceberg when it comes to designing modular, reusable code. For some, this is all familiar ground already. If that’s the case, I encourage you to perhaps submit a comment with any useful resources you’ve found that might help others get up to speed. Ultimately it’s in all of our interests to make sure that all our JavaScript interoperates well – share your tips.",2006,Drew McLellan,drewmclellan,2006-12-10T00:00:00+00:00,https://24ways.org/2006/writing-responsible-javascript/,code 144,"The Mobile Web, Simplified","A note from the editors: although eye-opening in 2006, this article is no longer relevant to today’s mobile web. Considering a foray into mobile web development? Following are four things you need to know before making the leap. 1. 4 billion mobile subscribers expected by 2010 Fancy that. Coupled with the UN prediction of 6.8 billion humans by 2010, 4 billion mobile subscribers (source) is an astounding 59% of the planet. Just how many of those subscribers will have data plans and web-enabled phones is still in question, but inevitably this all means one thing for you and me: A ton of potential eyes to view our web content on a mobile device. 2. Context is king Your content is of little value to users if it ignores the context in which it is viewed. Consider how you access data on your mobile device. You might be holding a bottle of water or gripping a handle on the subway/tube. You’re probably seeking specific data such as directions or show times, rather than the plethora of data at your disposal via a desktop PC. The mobile web, a phrase often used to indicate “accessing the web on a mobile device”, is very much a context-, content-, and component-specific environment. Expressed in terms of your potential target audience, access to web content on a mobile device is largely influenced by surrounding circumstances and conditions, information relevant to being mobile, and the feature set of the device being used. Ask yourself, What is relevant to my users and the tasks, problems, and needs they may encounter while being mobile? Answer that question and you’ll be off to a great start. 3. WAP 2.0 is an XHTML environment In a nutshell, here are a few fundamental tenets of mobile internet technology: Wireless Application Protocol (WAP) is the protocol for enabling mobile access to internet content. Wireless Markup Language (WML) was the language of choice for WAP 1.0. Nearly all devices sold today are WAP 2.0 devices. With the introduction of WAP 2.0, XHTML Mobile Profile (XHTML-MP) became the preferred markup language. XHTML-MP will be familiar to anyone experienced with XHTML Transitional or Strict. Summary? The mobile web is rapidly becoming an XHTML environment, and thus you and I can apply our existing “desktop web” skills to understand how to develop content for it. With WML on the decline, the learning curve is much smaller today than it was several years ago. I’m generalizing things gratuitously, but the point remains: Get off yo’ lazy butt and begin to take mobile seriously. I’ll even pass you a few tips for getting started. First, the DOCTYPE for XHTML-MP is as follows: As for MIME type, Open Mobile Alliance (OMA) specifies using the MIME type application/vnd.wap.xhtml+xml, but ultimately you need to ensure the server delivering your mobile content is configured properly for the MIME type you choose to use, as there are other options (see Setting up WAP Servers). Once you’ve made it to the body, the XHTML-MP markup is not unlike what you’re already used to. A few resources worth skimming: Developers Home XHTML-MP Tutorial – An impressively replete resource for all things XHTML-MP XHTML-MP Tags List – A complete list of XHTML-MP elements and accompanying attributes And last but certainly not least, CSS. There exists WAP CSS, which is essentially a subset of CSS2 with WAP-specific extensions. For all intents and purposes, much of the CSS you’re already comfortable using will be transferrable to mobile. As for including CSS in your pages, your options are the same as for desktop sites: external, embedded, and inline. Some experts will argue embedded or inline over external in favor of reducing the number of HTTP connections per page request, yet many popular mobilized sites and apps employ external linking without issue. Stocking stuffers: Flickr Mobile, Fandango Mobile, and Popurls Mobile. A few sites with whom you can do the View Source song and dance for further study. 4. “Cell phone” is so DynaTAC If you’re a U.S. resident, listen up: You must rid your vocabulary of the term “cell phone”. We’re one of the few economies on the planet to refer to a mobile phone accordingly. If you care to find yourself in any of the worthwhile mobile development circles, begin using terms more widely accepted: “mobile” or “mobile phone” or “handset” or “handy”. If you’re not sure which, go for “mobile”. Such as, “Yo dog, check out my new mobile.” More importantly, however, is overcoming the mentality that access to the mobile web can be done only with a phone. Instead, “device” encourages us to think phone, handheld computer, watch, Nintendo DS, car, you name it. Simple enough?",2006,Cameron Moll,cameronmoll,2006-12-19T00:00:00+00:00,https://24ways.org/2006/the-mobile-web-simplified/,ux 132,Tasty Text Trimmer,"In most cases, when designing a user interface it’s best to make a decision about how data is best displayed and stick with it. Failing to make a decision ultimately leads to too many user options, which in turn can be taxing on the poor old user. Under some circumstances, however, it’s good to give the user freedom in customising their workspace. One good example of this is the ‘Article Length’ tool in Apple’s Safari RSS reader. Sliding a slider left of right dynamically changes the length of each article shown. It’s that kind of awesomey magic stuff that’s enough to keep you from sleeping. Let’s build one. The Setup Let’s take a page that has lots of long text items, a bit like a news page or like Safari’s RSS items view. If we were to attach a class name to each element we wanted to resize, that would give us something to hook onto from the JavaScript. Example 1: The basic page. As you can see, I’ve wrapped my items in a DIV and added a class name of chunk to them. It’s these chunks that we’ll be finding with the JavaScript. Speaking of which … Our Core Functions There are two main tasks that need performing in our script. The first is to find the chunks we’re going to be resizing and store their original contents away somewhere safe. We’ll need this so that if we trim the text down we’ll know what it was if the user decides they want it back again. We’ll call this loadChunks. var loadChunks = function(){ var everything = document.getElementsByTagName('*'); var i, l; chunks = []; for (i=0, l=everything.length; i -1){ chunks.push({ ref: everything[i], original: everything[i].innerHTML }); } } }; The variable chunks is stored outside of this function so that we can access it from our next core function, which is doTrim. var doTrim = function(interval) { if (!chunks) loadChunks(); var i, l; for (i=0, l=chunks.length; i

Web Directions North

1485 Laperrière Avenue Ottawa ON K1Z 7S8 Canada Phone/Fax: Work: 61 2 9365 5007 Email: info@webdirections.org We’ll be using a variation on the now well established “sliding doors” technique (if you create a CSS technique, remember it’s very important to give it a memorable name or acronym, and bonus points if you get your name in there!) by Douglas Bowman, enhanced by Scott Schiller (see http://www.schillmania.com/projects/dialog/,) which will give us a design which looks like this The technique, in a nutshell, uses background images on four elements, two at the top, and two at the bottom, to add each rounded corner. We are going to make this design “fluid” in the sense that it grows and shrinks in proportion with the size of the font that the text of the element is displayed with. This is sometimes referred to as an “em driven design” (we’ll see why in a moment). To see how this works in practice, here’s the same design with the text “zoomed” up in size and the same design again, when we zoom the text size down By the way, the hCard image comes from Chris Messina, and you can download it and other microformat icons from the microformats wiki. Now, with CSS3, this whole task would be considerably easier, because we can add multiple background images to an element, and border images for each edge of an element. Safari, version 1.3 up, actually supports multiple background images, but sadly, it’s not supported in Firefox 1.5, or even Firefox 2.0 (let’s not mention IE7 eh?). So it’s probably too little supported to use now. So instead we’ll use a technique that only involves CSS2, and works in pretty much any browser. Very often, developers add div or span elements as containers for these background images, and in fact, if you visit Scott Shiller’s site, that’s what he has done there. But if at all possible we shouldn’t be adding any HTML simply for presentational purposes, even if the presentation is done via CSS. What we can do is to use the HTML we have already, as much as is possible, to add the style we want. This can take some creative thinking, but once you get the hang of this approach it becomes a more natural way of using HTML compared with simply adding divs and spans at will as hooks for style. Of course, this technique isn’t always simple, and in fact sometimes simply not possible, requiring us to add just a little HTML to provide the “hooks” for CSS. Let’s go to work The first step is to add a background image to the whole vCard element. We make this wide enough (for example 1000 or more pixels) and tall enough that no matter how large the content of the vCard grows, it will never overflow this area. We can’t simply repeat the image, because the top left corner will show when the image repeats. We add this as the background image of the vCard element using CSS. While we are at it, let’s give the text a sans-serif font, some color so that it will be visible, and stop the image repeating. .vcard { background-image: url(images/vcardfill.png); background-repeat: no-repeat; color: #666; font-family: ""Lucida Grande"", Verdana, Helvetica, Arial, sans-serif; } Which in a browser, will look something like this. Next step we need to add the top right hand corner of the hCard. In keeping with our aim of not adding HTML simply for styling purposes, we want to use the existing structure of the page where possible. Here, we’ll use the paragraph of class fn and org, which is the first child element of the vcard element.

Web Directions Conference Pty Ltd

Here’s our CSS for this element .fn { background-image: url(images/topright.png); background-repeat: no-repeat; background-position: top right; padding-top: 2em; font-weight: bold; font-size: 1.1em; } Again, we don’t want it to repeat, but this time, we’ve specified a background position for the image. This will make the background image start from the top, but its right edge will be located at the right edge of the element. I also made the font size a little bigger, and the weight bold, to differentiate it from the rest of the text in the hCard. Here’s the image we are adding as the background to this element. So, putting these two CSS statements together we get We specified a padding-top of 2em to give some space between the content of the fn element and the edge of the fn element. Otherwise the top of the hCard image would be hard against the border. To see this in action, just remove the padding-top: 2em; declaration and preview in a browser. So, with just two statements, we are well under way. We’ve not even had to add any HTML so far. Let’s turn to the bottom of the element, and add the bottom border (well, the background image which will serve as that border). Now, which element are we going to use to add this background image to? OK, here I have to admit to a little, teensie bit of cheating. If you look at the HTML of the hCard, I’ve grouped the email and telephone properties into a div, with a class of telecommunications. This grouping is not strictly requred for our hCard.

Phone/Fax: Work: 61 2 9365 5007

Email: info@webdirections.org

Now, I chose that class name because that is what the vCard specification calls this group of properties. And typically, I do tend to group together related elements using divs when I mark up content. I find it makes the page structure more logical and readable. But strictly speaking, this isn’t necessary, so you may consider it cheating. But my lesson in this would be, if you are going to add markup, try to make it as meaningful as possible. As you have probably guessed by now, we are going to add one part of the bottom border image to this element. We’re going to add this image as the background-image. Again, it will be a very wide image, like the top left one, so that no matter how wide the element might get, the background image will still be wide enough. Now, we’ll need to make this image sit in the bottom left of the element we attach it to, so we use a backgound position of left bottom (we put the horizontal position before the vertical). Here’s our CSS statement for this .telecommunications { background-image: url(images/bottom-left.png); background-repeat: no-repeat; background-position: left bottom; margin-bottom: 2em; } And that will look like this Not quite there, but well on the way. Time for the final piece in the puzzle. OK, I admit, I might have cheated just a little bit more in this step. But like the previous step, all valid, and (hopefully) quite justifiable markup. If we look at the HTML again, you’ll find that our email address is marked up like this

Email: info@webdirections.org

Typically, in hCard, the value part of this property isn’t required, and we could get away with info@webdirections.org The form I’ve used, with the span of class value is however, perfectly valid hCard markup (hard allows for multiple email addresses of different types, which is where this typically comes in handy). Why have I gone to all this trouble? Well, when it came to styling the hCard, I realized I needed a block element to attach the background image for the bottom right hand corner to. Typically the last block element in the containing element is the ideal choice (and sometimes it’s possible to take an inline element, for example the link here, and use CSS to make it a block element, and attach it to that, but that really doesn’t work with this design). So, if we are going to use the paragraph which contains the email link, we need a way to select it exclusively, which means that with CSS2 at least, we need a class or id as a hook for our CSS selector (in CSS3 we could use the last-child selector, which selects the last child element of a specified element, but again, as last child is not widely supported, we won’t rely on it here.) So, the least worst thing we could do is take an existing element, and add some reasonably meaningful markup to it. That’s why we gave the paragraph a class of email, and the email address a class of value. Which reminds me a little of a moment in Hamlet The lady doth protest too much, methinks OK, let’s get back to the CSS. We add the bottom right corner image, positioning it in the bottom right of the element, and making sure it doesn’t repeat. We also add some padding to the bottom, to balance out the padding we added to the top of the hCard. p.email { background-image: url(images/bottom-right.png); background-position: right bottom; background-repeat: no-repeat; padding-bottom: 2em; } Which all goes to make our hCard look like this It just remains for us to clean up a little. Let’s start from the top. We’ll float the download image to the right like this .vcard img { float: right; padding-right: 1em; margin-top: -1em } See how we didn’t have to add a class to style the image, we used the fact that the image is a descendent of the vcard element, and a descendent selector. In my experience, the very widely supported, powerful descendent selector is one of the most underused aspects of CSS. So if you don’t use it frequently, look into it in more detail. We added some space to the right of the image, and pulled it up a bit closer to the top of the hCard, like this We also want to add some whitespace between the edge of the hCard and the text. We would typically add padding to the left of the containing element, (in this case the vcard element) but this would break our bottom left hand corner, like this That’s because the div element we added this bottom left background image to would be moved in by the padding on its containing element. So instead, we add left margin to all the paragraphs in the hCard .vcard p { margin-left: 1em; } (there is the descendent selector again – it is the swiss army knife of CSS) Now, we’ve not yet made the width of the hCard a function of the size of the text inside it (or “em driven” as we described it earlier). We do this by giving the hCard a width that is specified in em units. Here we’ll set a width of say 28em, which makes the hCard always roughly as wide as 28 characters (strictly speaking 28 times the width of the letter capital M). So the statement for our containing vcard element becomes .vcard { background-image: url(images/vcardfill.png); background-repeat: no-repeat; color: #666; font-family: ""Lucida Grande"", Verdana, Helvetica, Arial, sans-serif; width: 28em; } and now our element will look like this We’ve used almost entirely the existing HTML from our original hCard (adding just a little, and trying as much as possible to keep that additional markup meaningful), and just 6 CSS statements. Holiday Bonus – a downloadable vCard Did you notice this part of the HTML What’s with the odd looking url Match points The span inside each legend is because legend elements are highly resistant to styling! Indeed they’re one of the most stubborn elements in the browsers’ vocabulary. Oh man … how I wrestled with the buggers … until this obvious alternative occurred to me! So the legend element itself is just a container, while all the styling is on the inner span. Oh yeah, there was some CSS too I’m not gonna dwell too much on the CSS it took to make this work – this is a short article, and it’s all there in the demo [demo page, style sheet] But I do want to touch on the most interesting bit – where we get from a layout with headers on every row, to one where only the top row has headers – or at least, so it appears to graphical browsers. For screen readers, as we noted, we need those headers on every row, so we should employ some cunning CSS to partly negate their visual presence, without removing them from the output. The core styling for each label span is like this: label span { display:block; padding:5px; line-height:1em; background:#423221; color:#fff; font-weight:bold; } But in the rows below the header they have these additional rules: fieldset.body label span { padding:0 5px; line-height:0; position:relative; top:-10000em; } The rendered width of the element is preserved, ensuring that the surrounding label is still the same width as the one in the header row above, and hence a unified column width is preserved all the way down. But the element effectively has no height, and so it’s effectively invisible. The styling is done this way, rather than just setting the height to zero and using overflow:hidden, because to do that would expose an unrelated quirk with another popular screen reader! (It would hide the output from Window Eyes, as shown in this test example at access matters.) The finished widget It’s an intricate beast allright! But after all that we do indeed get the widget we want: Demo page Style sheet It’s not perfect, most notably because the legends have to have a fixed width; this can be in em to allow for text scaling, but it still doesn’t allow the content to break into multiple lines. It also doesn’t look quite right in Safari; and some CSS hacking was needed to make it look right in IE6 and IE7. Still it worked well enough for the purpose, and satisfied the client completely. And most of all it re-assured me in my faith – that there’s never any need to abuse tables for layout. (Unless of course you think this content is a table anyway, but that’s another story!)",2006,James Edwards,jamesedwards,2006-12-11T00:00:00+00:00,https://24ways.org/2006/showing-good-form/,ux 138,Rounded Corner Boxes the CSS3 Way,"If you’ve been doing CSS for a while you’ll know that there are approximately 3,762 ways to create a rounded corner box. The simplest techniques rely on the addition of extra mark-up directly to your page, while the more complicated ones add the mark-up though DOM manipulation. While these techniques are all very interesting, they do seem somewhat of a kludge. The goal of CSS is to separate structure from presentation, yet here we are adding superfluous mark-up to our code in order to create a visual effect. The reason we are doing this is simple. CSS2.1 only allows a single background image per element. Thankfully this looks set to change with the addition of multiple background images into the CSS3 specification. With CSS3 you’ll be able to add not one, not four, but eight background images to a single element. This means you’ll be able to create all kinds of interesting effects without the need of those additional elements. While the CSS working group still seem to be arguing over the exact syntax, Dave Hyatt went ahead and implemented the currently suggested mechanism into Safari. The technique is fiendishly simple, and I think we’ll all be a lot better off once the W3C stop arguing over the details and allow browser vendors to get on and provide the tools we need to build better websites. To create a CSS3 rounded corner box, simply start with your box element and apply your 4 corner images, separated by commas. .box { background-image: url(top-left.gif), url(top-right.gif), url(bottom-left.gif), url(bottom-right.gif); } We don’t want these background images to repeat, which is the normal behaviour, so lets set all their background-repeat properties to no-repeat. .box { background-image: url(top-left.gif), url(top-right.gif), url(bottom-left.gif), url(bottom-right.gif); background-repeat: no-repeat, no-repeat, no-repeat, no-repeat; } Lastly, we need to define the positioning of each corner image. .box { background-image: url(top-left.gif), url(top-right.gif), url(bottom-left.gif), url(bottom-right.gif); background-repeat: no-repeat, no-repeat, no-repeat, no-repeat; background-position: top left, top right, bottom left, bottom right; } And there we have it, a simple rounded corner box with no additional mark-up. As well as using multiple background images, CSS3 also has the ability to create rounded corners without the need of any images at all. You can do this by setting the border-radius property to your desired value as seen in the next example. .box { border-radius: 1.6em; } This technique currently works in Firefox/Camino and creates a nice, if somewhat jagged rounded corner. If you want to create a box that works in both Mozilla and WebKit based browsers, why not combine both techniques and see what happens.",2006,Andy Budd,andybudd,2006-12-04T00:00:00+00:00,https://24ways.org/2006/rounded-corner-boxes-the-css3-way/,code 142,Revealing Relationships Can Be Good Form,"A few days ago, a colleague of mine – someone I have known for several years, who has been doing web design for several years and harks back from the early days of ZDNet – was running through a prototype I had put together for some user testing. As with a lot of prototypes, there was an element of ‘smoke and mirrors’ to make things look like they were working. One part of the form included a yes/no radio button, and selecting the Yes option would, in the real and final version of the form, reveal some extra content. Rather than put too much JavaScript in the prototype, I took a preverbial shortcut and created a link which I wrapped around the text next to the radio button – clicking on that link would cause the form to mimic a change event on the radio button. But it wasn’t working for him. Why was that? Because whereas I created the form using a I’d placed around the text). Bah! There goes my time-saver. So, what did I learn? That a web professional who has used the Internet for years had neither heard of the
.net advertising ajax ...
Unfortunately, that is one of the worst examples of tag cloud markup I have ever seen. The page states that a tag cloud is a list of tags where size reflects popularity. However, despite describing it in this way to the human readers, the page’s author hasn’t described it that way in the markup. It isn’t a list of tags, just a bunch of anchors in a
. This is also inaccessible because a screenreader will not pause between adjacent links, and in some configurations will not announce the individual links, but rather all of the tags will be read as just one link containing a whole bunch of words. Markup crime number one. Flickr Ah, Flickr. The darling photo sharing site of the internet, and the biggest blind spot in every standardista’s vision. Forgive it for having atrocious markup and sometimes confusing UI because it’s just so much damn fun to use. Let’s see what they do.

 06   africa   amsterdam  ...

Again we have a simple collection of anchors like del.icio.us, only this time in a paragraph. But rather than using a class to represent the size of the tag they use an inline style. An inline style using a pixel-based font size. That’s so far away from the goal of separating style from content, they might as well use a tag. You could theoretically parse that to extract the information, but you have more work to guess what the pixel sizes represent. Markup crime number two (and extra jail time for using non-breaking spaces purely for visual spacing purposes.) Technorati Ah, now. Here, you’d expect something decent. After all, the Overlord of microformats and King of Semantics Tantek Çelik works there. Surely we’ll see something decent here?
  1. Britney Spears
  2. Bush
  3. Christmas
  4. ...
  5. SEO
  6. Shopping
  7. ...
Unfortunately it turns out not to be that decent, and stop calling me Shirley. It’s not exactly terrible code. It does recognise that a tag cloud is a list of links. And, since they’re in alphabetical order, that it’s an ordered list of links. That’s nice. However … fifteen nested tags? FIFTEEN? That’s emphasis for you. Yes, it is parse-able, but it’s also something of a strange way of looking at emphasis. The HTML spec states that is emphasis, and is for stronger emphasis. Nesting tags seems counter to the idea that different tags are used for different levels of emphasis. Plus, if you had a screen reader that stressed the voice for emphasis, what would it do? Shout at you? Markup crime number three. So what should it be? As del.icio.us tells us, a tag cloud is a list of tags where the size that they are rendered at contains extra information. However, by hiding the extra context purely within the CSS or the HTML tags used, you are denying that context to some users. The basic assumption being made is that all users will be able to see the difference between font sizes, and this is demonstrably false. A better way to code a tag cloud is to put the context of the cloud within the content, not the markup or CSS alone. As an example, I’m going to take some of my favourite flickr tags and put them into a cloud which communicates the relative frequency of each tag. To start with a tag cloud in its most basic form is just a list of links. I am going to present them in alphabetical order, so I’ll use an ordered list. Into each list item I add the number of photos I have with that particular tag. The tag itself is linked to the page on flickr which contains those photos. So we end up with this first example. To display this as a traditional tag cloud, we need to alter it in a few ways: The items need to be displayed next to each other, rather than one-per-line The context information should be hidden from display (but not from screen readers) The tag should link to the page of items with that tag Displaying the items next to each other simply means setting the display of the list elements to inline. The context can be hidden by wrapping it in a and then using the off-left method to hide it. And the link just means adding an anchor (with rel=""tag"" for some extra microformats bonus points). So, now we have a simple collection of links in our second example. The last stage is to add the sizes. Since we already have context in our content, the size is purely for visual rendering, so we can just use classes to define the different sizes. For my example, I’ll use a range of class names from not-popular through ultra-popular, in order of smallest to largest, and then use CSS to define different font sizes. If you preferred, you could always use less verbose class names such as size1 through size6. Anyway, adding some classes and CSS gives us our final example, a semantic and more accessible tag cloud.",2006,Mark Norman Francis,marknormanfrancis,2006-12-09T00:00:00+00:00,https://24ways.org/2006/marking-up-a-tag-cloud/,code 136,Making XML Beautiful Again: Introducing Client-Side XSL,"Remember that first time you saw XML and got it? When you really understood what was possible and the deep meaning each element could carry? Now when you see XML, it looks ugly, especially when you navigate to a page of XML in a browser. Well, with every modern browser now supporting XSL 1.0, I’m going to show you how you can turn something as simple as an ATOM feed into a customised page using a browser, Notepad and some XSL. What on earth is this XSL? XSL is a family of recommendations for defining XML document transformation and presentation. It consists of three parts: XSLT 1.0 – Extensible Stylesheet Language Transformation, a language for transforming XML XPath 1.0 – XML Path Language, an expression language used by XSLT to access or refer to parts of an XML document. (XPath is also used by the XML Linking specification) XSL-FO 1.0 – Extensible Stylesheet Language Formatting Objects, an XML vocabulary for specifying formatting semantics XSL transformations are usually a one-to-one transformation, but with newer versions (XSL 1.1 and XSL 2.0) its possible to create many-to-many transformations too. So now you have an overview of XSL, on with the show… So what do I need? So to get going you need a browser an supports client-side XSL transformations such as Firefox, Safari, Opera or Internet Explorer. Second, you need a source XML file – for this we’re going to use an ATOM feed from Flickr.com. And lastly, you need an editor of some kind. I find Notepad++ quick for short XSLs, while I tend to use XMLSpy or Oxygen for complex XSL work. Because we’re doing a client-side transformation, we need to modify the XML file to tell it where to find our yet-to-be-written XSL file. Take a look at the source XML file, which originates from my Flickr photos tagged sky, in ATOM format. The top of the ATOM file now has an additional instruction, as can been seen on Line 2 below. This instructs the browser to use the XSL file to transform the document. Your first transformation Your first XSL will look something like this: This is pretty much the starting point for most XSL files. You will notice the standard XML processing instruction at the top of the file (line 1). We then switch into XSL mode using the XSL namespace on all XSL elements (line 2). In this case, we have added namespaces for ATOM (line 4) and Dublin Core (line 5). This means the XSL can now read and understand those elements from the source XML. After we define all the namespaces, we then move onto the xsl:output element (line 6). This enables you to define the final method of output. Here we’re specifying html, but you could equally use XML or Text, for example. The encoding attributes on each element do what they say on the tin. As with all XML, of course, we close every element including the root. The next stage is to add a template, in this case an as can be seen below: Making XML beautiful again : Transforming ATOM The beautiful thing about XSL is its English syntax, if you say it out loud it tends to make sense. The / value for the match attribute on line 8 is our first example of XPath syntax. The expression / matches any element – so this will match against any element in the document. As the first element in any XML document is the root element, this will be the one matched and processed first. Once we get past our standard start of a HTML document, the only instruction remaining in this is to look for and match all elements using the in line 14, above.

This new template (line 12, above) matches and starts to write the new HTML elements out to the output stream. The does exactly what you’d expect – it finds the value of the item specifed in its select attribute. With XPath you can select any element or attribute from the source XML. The last part is a repeat of the now familiar from before, but this time we’re using it inside of a called template. Yep, XSL is full of recursion…
  • ()

  • The which matches atom:entry (line 1) occurs every time there is a element in the source XML file. So in total that is 20 times, this is naturally why XSLT is full of recursion. This has been matched and therefore called higher up in the document, so we can start writing list elements directly to the output stream. The first part is simply a

    with a link wrapped within it (lines 3-7). We can select attributes using XPath using @. The second part of this template selects the date, but performs a XPath string function on it. This means that we only get the date and not the time from the string (line 9). This is achieved by getting only the part of the string that exists before the T. Regular Expressions are not part of the XPath 1.0 string functions, although XPath 2.0 does include them. Because of this, in XSL we tend to rely heavily on the available XML output. The third part of the template (line 12) is a again, but this time we use an attribute of called disable output escaping to turn escaped characters back into XML. The very last section is another call, taking us three templates deep. Do not worry, it is not uncommon to write XSL which go 20 or more templates deep! tag In our final , we see a combination of what we have done before with a couple of twists. Once we match atom:category we then count how many elements there are at that same level (line 2). The XPath . means ‘self’, so we count how many category elements are within the element. Following that, we start to output a link with a rel attribute of the predefined text, tag (lines 4-6). In XSL you can just type text, but results can end up with strange whitespace if you do (although there are ways to simply remove all whitespace). The only new XPath function in this example is concat(), which simply combines what XPaths or text there might be in the brackets. We end the output for this tag with an actual tag name (line 10) and we add a space afterwards (line 12) so it won’t touch the next tag. (There are better ways to do this in XSL using the last() XPath function). After that, we go back to the element again if there is another category element, otherwise we end the loop and end this . A touch of style Because we’re using recursion through our templates, you will find this is the end of the templates and the rest of the XML will be ignored by the parser. Finally, we can add our CSS to finish up. (I have created one for Flickr and another for News feeds) So we end up with a nice simple to understand but also quick to write XSL which can be used on ATOM Flickr feeds and ATOM News feeds. With a little playing around with XSL, you can make XML beautiful again. All the files can be found in the zip file (14k)",2006,Ian Forrester,ianforrester,2006-12-07T00:00:00+00:00,https://24ways.org/2006/beautiful-xml-with-xsl/,code 129,Knockout Type - Thin Is Always In,"OS X has gorgeous native anti-aliasing (although I will admit to missing 10px aliased Geneva — *sigh*). This is especially true for dark text on a light background. However, things can go awry when you start using light text on a dark background. Strokes thicken. Counters constrict. Letterforms fill out like seasonal snackers. So how do we combat the fat? In Safari and other Webkit-based browsers we can use the CSS ‘text-shadow’ property. While trying to add a touch more contrast to the navigation on haveamint.com I noticed an interesting side-effect on the weight of the type. The second line in the example image above has the following style applied to it: This creates an invisible drop-shadow. (Why is it invisible? The shadow is positioned directly behind the type (the first two zeros) and has no spread (the third zero). So the color, black, is completely eclipsed by the type it is supposed to be shadowing.) Why applying an invisible drop-shadow effectively lightens the weight of the type is unclear. What is clear is that our light-on-dark text is now of a comparable weight to its dark-on-light counterpart. You can see this trick in effect all over ShaunInman.com and in the navigation on haveamint.com and Subtraction.com. The HTML and CSS source code used to create the example images used in this article can be found here.",2006,Shaun Inman,shauninman,2006-12-17T00:00:00+00:00,https://24ways.org/2006/knockout-type/,code 126,Intricate Fluid Layouts in Three Easy Steps,"The Year of the Script may have drawn attention away from CSS but building fluid, multi-column, cross-browser CSS layouts can still be as unpleasant as a lump of coal. Read on for a worry-free approach in three quick steps. The layout system I developed, YUI Grids CSS, has three components. They can be used together as we’ll see, or independently. The Three Easy Steps Choose fluid or fixed layout, and choose the width (in percents or pixels) of the page. Choose the size, orientation, and source-order of the main and secondary blocks of content. Choose the number of columns and how they distribute (for example 50%-50% or 25%-75%), using stackable and nestable grid structures. The Setup There are two prerequisites: We need to normalize the size of an em and opt into the browser rendering engine’s Strict Mode. Ems are a superior unit of measure for our case because they represent the current font size and grow as the user increases their font size setting. This flexibility—the container growing with the user’s wishes—means larger text doesn’t get crammed into an unresponsive container. We’ll use YUI Fonts CSS to set the base size because it provides consistent-yet-adaptive font-sizes while preserving user control. The second prerequisite is to opt into Strict Mode (more info on rendering modes) by declaring a Doctype complete with URI. You can choose XHTML or HTML, and Transitional or Strict. I prefer HTML 4.01 Strict, which looks like this: Including the CSS A single small CSS file powers a nearly-infinite number of layouts thanks to a recursive system and the interplay between the three distinct components. You could prune to a particular layout’s specific needs, but why bother when the complete file weighs scarcely 1.8kb uncompressed? Compressed, YUI Fonts and YUI Grids combine for a miniscule 0.9kb over the wire. You could save an HTTP request by concatenating the two CSS files, or by adding their contents to your own CSS, but I’ll keep them separate for now: Example: The Setup Now we’re ready to build some layouts. Step 1: Choose Fluid or Fixed Layout Choose between preset widths of 750px, 950px, and 100% by giving a document-wrapping div an ID of doc, doc2, or doc3. These options cover most use cases, but it’s easy to define a custom fixed width. The fluid 100% grid (doc3) is what I’ve been using almost exclusively since it was introduced in the last YUI released.
    All pages are centered within the viewport, and grow with font size. The 100% width page (doc3) preserves 10px of breathing room via left and right margins. If you prefer your content flush to the viewport, just add doc3 {margin:auto} to your CSS. Regardless of what you choose in the other two steps, you can always toggle between these widths and behaviors by simply swapping the ID value. It’s really that simple. Example: 100% fluid layout Step 2: Choose a Template Preset This is perhaps the most frequently omitted step (they’re all optional), but I use it nearly every time. In a source-order-independent way (good for accessibility and SEO), “Template Presets” provide commonly used template widths compatible with ad-unit dimension standards defined by the Interactive Advertising Bureau, an industry association. Choose between the six Template Presets (.yui-t1 through .yui-t6) by setting the class value on the document-wrapping div established in Step 1. Most frequently I use yui-t3, which puts the narrow secondary block on the left and makes it 300px wide.
    The Template Presets control two “blocks” of content, which are defined by two divs, each with yui-b (“b” for “block”) class values. Template Presets describe the width and orientation of the secondary block; the main block will take up the rest of the space.
    Use a wrapping div with an ID of yui-main to structurally indicate which block is the main block. This wrapper—not the source order—identifies the main block.
    Example: Main and secondary blocks sized and oriented with .yui-t3 Template Preset Again, regardless of what values you choose in the other steps, you can always toggle between these Template Presets by toggling the class value of your document-wrapping div. It’s really that simple. Step 3: Nest and Stack Grid Structures. The bulk of the power of the system is in this third step. The key is that columns are built by parents telling children how to behave. By default, two children each consume half of their parent’s area. Put two units inside a grid structure, and they will sit side-by-side, and they will each take up half the space. Nest this structure and two columns become four. Stack them for rows of columns. An Even Number of Columns The default behavior creates two evenly-distributed columns. It’s easy. Define one parent grid with .yui-g (“g” for grid) and two child units with .yui-u (“u” for unit). The code looks like this:
    Be sure to indicate the “first“ unit because the :first-child pseudo-class selector isn’t supported across all A-grade browsers. It’s unfortunate we need to add this, but luckily it’s not out of place in the markup layer since it is structural information. Example: Two evenly-distributed columns in the main content block An Odd Number of Columns The default system does not work for an odd number of columns without using the included “Special Grids” classes. To create three evenly distributed columns, use the “yui-gb“ Special Grid:
    Example: Three evenly distributed columns in the main content block Uneven Column Distribution Special Grids are also used for unevenly distributed column widths. For example, .yui-ge tells the first unit (column) to take up 75% of the parent’s space and the other unit to take just 25%.
    Example: Two columns in the main content block split 75%-25% Putting It All Together Start with a full-width fluid page (div#doc3). Make the secondary block 180px wide on the right (div.yui-t4). Create three rows of columns: Three evenly distributed columns in the first row (div.yui-gb), two uneven columns (66%-33%) in the second row (div.yui-gc), and two evenly distributed columns in the thrid row.
    Example: A complex layout. Wasn’t that easy? Now that you know the three “levers” of YUI Grids CSS, you’ll be creating headache-free fluid layouts faster than you can say “Peace on Earth”.",2006,Nate Koechley,natekoechley,2006-12-20T00:00:00+00:00,https://24ways.org/2006/intricate-fluid-layouts/,code 121,Hide And Seek in The Head,"If you want your JavaScript-enhanced pages to remain accessible and understandable to scripted and noscript users alike, you have to think before you code. Which functionalities are required (ie. should work without JavaScript)? Which ones are merely nice-to-have (ie. can be scripted)? You should only start creating the site when you’ve taken these decisions. Special HTML elements Once you have a clear idea of what will work with and without JavaScript, you’ll likely find that you need a few HTML elements for the noscript version only. Take this example: A form has a nifty bit of Ajax that automatically and silently sends a request once the user enters something in a form field. However, in order to preserve accessibility, the user should also be able to submit the form normally. So the form should have a submit button in noscript browsers, but not when the browser supports sufficient JavaScript. Since the button is meant for noscript browsers, it must be hard-coded in the HTML: When JavaScript is supported, it should be removed: var checkJS = [check JavaScript support]; window.onload = function () { if (!checkJS) return; document.getElementById('noScriptButton').style.display = 'none'; } Problem: the load event Although this will likely work fine in your testing environment, it’s not completely correct. What if a user with a modern, JavaScript-capable browser visits your page, but has to wait for a huge graphic to load? The load event fires only after all assets, including images, have been loaded. So this user will first see a submit button, but then all of a sudden it’s removed. That’s potentially confusing. Fortunately there’s a simple solution: play a bit of hide and seek in the : var checkJS = [check JavaScript support]; if (checkJS) { document.write(''); } First, check if the browser supports enough JavaScript. If it does, document.write an extra